#NOLAZINE - In the heart of New Orleans, where culture, struggle and resilience can be found on nearly every corner, Kingg Tokyo stood tall as an authentic voice of the streets. Born Javon Johnigan, he was more than another rapper hoping to escape difficult circumstances. He was a proud product of the Calliope Projects who carried the name of his neighborhood everywhere he went. Kingg Tokyo emerged during a vibrant yet volatile period in the New Orleans rap scene. He developed his talent while representing the Calliope, a community with a complicated history but an undeniable influence on the city’s music and culture. From Master P and No Limit Records to the many underground artists who followed, the Calliope has produced people who turned their experiences into music. Kingg Tokyo continued that tradition by using his voice to tell stories rooted in survival, loyalty, pain and ambition. A Hood Star in Every Sense Kingg Tokyo gained recognition through his affiliation with Calliope Var’s Hood Star Entertainment. The movement featured artists who proudly represented the neighborhoods and streets that raised them. Tokyo worked alongside Calliope Bub and other local talents, but even within a crew filled with personality and ability, he carried a presence of his own. He possessed the confidence, authenticity and natural charisma needed to command attention whenever he stepped behind a microphone. The name “Hood Star” was more than a record label or slogan for Kingg Tokyo. It represented someone who might not have received mainstream recognition but was already respected within his community. Tokyo did not need national charts or television appearances to make people pay attention. His reputation was built directly in the streets he represented. He earned that recognition by remaining true to himself. Carrying the Calliope on His Back Whether he was on the block or inside the studio, Kingg Tokyo represented the Calliope Projects with pride. His music reflected the realities surrounding him instead of presenting a manufactured image created for the industry. Tokyo’s lyrics offered listeners an unfiltered view of the world that shaped him. He rapped about the pressure of surviving, the importance of loyalty, the pain of losing people and the determination required to keep moving forward. That authenticity made him relatable to listeners who had experienced similar struggles. They could hear their own stories in his music because Tokyo spoke from a place of lived experience. He understood what it meant to carry the expectations of a neighborhood on his shoulders. Every song and appearance became another opportunity to put the Calliope on the map. Kingg Tokyo was not simply from the Calliope—he was one of its musical representatives. An Artist Who Carried His Own In music, the ability to “carry your own” means standing confidently next to other talented artists without being overshadowed. Kingg Tokyo could do exactly that. He possessed the type of energy that made listeners remember him. His confidence did not appear forced, and his street credibility was not something he needed to manufacture for an audience. The experiences behind his lyrics gave his music its power. While some artists chase commercial trends, Tokyo remained grounded in the sound and reality of New Orleans. He was building a career on his own terms while giving his community another voice within Louisiana hip-hop. His journey showed that local influence can be just as meaningful as mainstream success. An artist does not need millions of followers to leave a lasting impact. Sometimes that impact can be measured by how strongly a neighborhood continues to say an artist’s name after he is gone. A Life Tragically Cut Short On September 3, 2016, Kingg Tokyo was shot and killed. His death silenced a promising voice and devastated the people who loved, supported and believed in him. It was another painful reminder of the violence that has taken far too many talented young men before they could fulfill their potential. Tokyo had already established himself as a respected figure within his community, but there was still much more he could have accomplished. His death did not erase what he created. The music remained. The memories remained. Most importantly, the love that people had for Kingg Tokyo remained. More Than a Rapper To understand Kingg Tokyo’s legacy, people must look beyond his recordings. He represented hometown pride, neighborhood loyalty and the determination to create something meaningful despite difficult circumstances. For the people who knew him personally, he was more than an artist. He was a friend, relative and familiar face from the community. For his listeners, he became a voice that made the Calliope’s struggles, dreams and reality impossible to ignore. Artists such as Kingg Tokyo are an important part of New Orleans music history. They document the stories that may never appear in history books or receive national media coverage. Their songs become time capsules preserving the language, emotions and experiences of their neighborhoods. Tokyo’s music helped preserve a piece of the Calliope’s story. The Legacy of a Calliope Hood Star Years after his passing, Kingg Tokyo continues to be remembered by the people who witnessed his journey. His name remains connected to the Calliope, Hood Star Entertainment and an era of New Orleans street music built on authenticity. He never turned his back on where he came from. He carried his neighborhood’s name with pride and gave listeners a direct connection to the environment that raised him. Kingg Tokyo’s story is one of talent, loyalty, ambition and a life that burned brightly, even though it ended far too soon. He may not have received the opportunity to reach every level he was capable of reaching, but he made a lasting impression on his city. We at Nolazine remember Kingg Tokyo as the Calliope hood star who always carried his own. His voice may have been silenced, but his legacy continues through his music, his loved ones and everyone who refuses to let his name be forgotten. Long live Kingg Tokyo—the Calliope Hood Star who proudly represented New Orleans until the end.

#NOLAZINE - Kenneth “Supreme” McGriff is a name that echoes through the streets of South Jamaica, Queens — a figure etched into the annals of New York City’s underworld. Born on September 19, 1960, McGriff rose from the Baisley Park Houses to become one of the most notorious drug lords of the 1980s. His story, from kingpin to convicted felon, is one of power, influence, ambition, and ultimately, downfall. In 1981, McGriff founded The Supreme Team, a drug trafficking organization that quickly established dominance over the crack cocaine trade in South Jamaica. What started as a small operation ballooned into a criminal empire with hundreds of members and a network so sophisticated it rivaled organized crime syndicates. The Supreme Team was known not just for its control of territory, but for its ruthlessness and militarized enforcement. By the mid-80s, McGriff had become a household name in the streets — feared, respected, and constantly watched by law enforcement. His wealth and lifestyle mirrored that of a rap star, long before the culture fully embraced street legends. In 1987, the law caught up. A joint federal and state task force arrested McGriff, and by 1989, he pled guilty to engaging in a Continuing Criminal Enterprise — often dubbed the "kingpin statute." He was sentenced to 12 years in prison, though he served only about five before being released on parole in 1994. His attempt at freedom was short-lived, as he was sent back to prison the same year for violating parole conditions. When McGriff was released again in 1997, he attempted to go legit. Teaming up with music mogul Irv Gotti, McGriff invested in filmmaking, specifically working to produce a movie adaptation of the Crime Partners novel from the Kenyatta series. The partnership linked him to Murder Inc. Records, one of the most powerful labels in hip-hop at the time. However, McGriff's past wouldn't stay buried. His presence around Murder Inc. drew the attention of the FBI and DEA, leading to a 2003 federal raid on the label's Manhattan offices. Allegations of drug money laundering and continued involvement in criminal activity put McGriff under intense scrutiny once again. McGriff’s legal troubles took a darker turn when he was linked to the 2001 murder of Eric “E-Moneybags” Smith, reportedly a revenge killing for the death of McGriff’s close friend Colbert “Black Just” Johnson. Authorities also suspected his involvement in the 2002 slaying of Jam Master Jay of Run-DMC and an attempted hit on rapper 50 Cent, though charges in those cases never stuck. In 2007, McGriff was convicted of murder-for-hire, conspiracy, and drug trafficking in the Eastern District of New York. The jury found him guilty of orchestrating the murders of Smith and Troy “Big Nose” Singleton. With his assets seized and legal options dwindling, he was sentenced to life in prison without the possibility of parole. McGriff began his life sentence at ADX Florence, a supermax facility in Colorado, later transferred to USP Lee in Virginia, and eventually moved to USP McCreary in Kentucky, where he remains incarcerated as of the latest reports. The story of Kenneth “Supreme” McGriff is layered. On one side, he was a brilliant strategist who commanded loyalty and fear. On the other, he became a cautionary tale — a man who tried to pivot from crime to creativity, but whose past ultimately defined his fate. His life is a reminder of the seductive power of the streets, and the devastating consequences that often follow. From crack cocaine empires to federal courtrooms, McGriff’s journey is the stuff of legend — a real-life narrative that still casts shadows over hip-hop, street culture, and the justice system. Supreme's legacy may live in whispers, songs, and documentaries — but his reality now exists behind bars.

#NOLAZINE - Louisiana has produced some of hip-hop’s most talented and influential artists. Among them was Lil Snupe, a gifted young rapper whose lyrical ability, confidence and relentless determination helped him capture the attention of the music industry before his life was tragically cut short. Lil Snupe, whose real name was Addarren La Keith Ross, was born on June 13, 1995, and raised in Jonesboro, Louisiana. Long before he received national recognition, Snupe was developing a reputation as a fearless freestyle rapper who could turn almost any moment into an opportunity to demonstrate his talent. Unlike artists who wait for an opportunity to find them, Lil Snupe went looking for his. A Dream-Chasing Moment That Changed Everything Lil Snupe’s career took a major turn after he approached Meek Mill’s tour vehicle during a stop in Louisiana and handed the Philadelphia rapper his music. Meek Mill listened to the young artist and quickly recognized that Snupe possessed something special. Lil Snupe would eventually become one of the earliest artists associated with Meek Mill’s Dream Chasers movement. The signing introduced the Louisiana teenager to a much larger audience and placed him alongside one of the hottest rappers in the industry. Snupe’s journey became a powerful example of what can happen when talent meets courage and preparation. He did not have an industry executive arranging the opportunity for him. He reportedly approached Meek himself, delivered his music and allowed his ability to speak for him. That moment perfectly represented the “dream chaser” mentality. A Freestyle Talent Beyond His Years What separated Lil Snupe from many young artists was his ability to freestyle with confidence, energy and impressive lyrical control. Videos of him battling and rapping alongside Meek Mill helped build excitement around his name. One of his most memorable appearances was a freestyle session with Meek and other members of the Dream Chasers team. Snupe appeared comfortable under pressure, delivering verse after verse while earning visible respect from the people surrounding him. He did not rap like someone who was simply happy to be in the room. He performed like an artist who believed he belonged there. Although he was still a teenager, Snupe possessed the hunger of someone who understood that every performance could change his life. His voice carried pain, ambition and the determination to escape difficult circumstances. That authenticity allowed listeners to connect with him. The Release of R.N.I.C. In 2012, Lil Snupe released 16 & Runnin: Tha Mixtape, helping establish his name within Louisiana’s underground rap scene. His momentum increased significantly with the release of R.N.I.C. in April 2013. The project featured appearances from Meek Mill, DJ Khaled, Trae Tha Truth and fellow Louisiana artist Curren$y. Songs such as “Nobody,” featuring Meek Mill, demonstrated that Snupe could create structured records while maintaining the intensity that made his freestyles so exciting. R.N.I.C. introduced listeners to a young rapper who appeared to be standing at the beginning of a promising career. He had the talent, a growing fan base and the support of an established artist who genuinely believed in him. The mixtape remains an important part of his musical legacy and is still available through major streaming platforms. Listen to R.N.I.C. on Spotify. A Promising Life Cut Tragically Short On June 20, 2013—only one week after his 18th birthday—Lil Snupe was fatally shot at an apartment in Winnfield, Louisiana. Contemporary police reports stated that the shooting followed an argument connected to a video game. A suspect later surrendered and was booked on multiple charges related to the incident. ABC News reported on the investigation and arrest. The news devastated his family, friends, fans and members of the Dream Chasers team. Lil Snupe had only recently begun receiving widespread attention, making his death another heartbreaking example of young talent being lost before reaching its full potential. Hundreds of people reportedly attended his funeral at Jonesboro-Hodge High School, demonstrating how much he meant to his hometown and those who followed his journey. Meek Mill Continues to Honor Lil Snupe Meek Mill has kept Lil Snupe’s name alive through music and public tributes. Snupe’s voice appeared on “Lil Snupe Intro” from the 2013 Maybach Music Group compilation Self Made Vol. 3. Meek later dedicated “Lil Nigga Snupe” to his fallen protégé and included a tribute to him in the music video for “We Ball,” featuring Young Thug. In 2021, Meek released another emotional tribute titled “Angels (RIP Lil Snupe).” These records reveal that Meek did not view Snupe as just another artist on a roster. He saw him as family and as a young talent capable of becoming a major name in hip-hop. A Legacy Larger Than His Catalog Lil Snupe’s official career lasted only a short time, but his impact has continued for more than a decade. His music, battle videos and freestyle performances are still shared by fans who remember the excitement surrounding his rise. Posthumous projects and previously unreleased recordings have also helped preserve his voice. More importantly, younger rappers have continued to identify Snupe as an influence. His story remains meaningful because it shows both the possibilities created by determination and the devastating consequences of a promising life ending too soon. There is no way to know exactly how successful Lil Snupe would have become. However, the confidence Meek Mill and other respected artists placed in him suggests that his potential was undeniable. He had already accomplished what thousands of aspiring rappers dream about—being discovered, earning respect for his talent and receiving an opportunity on a national stage. Lil Snupe represented Louisiana with hunger, authenticity and extraordinary lyrical ability. He was a young man from Jonesboro who chased an opportunity until it became real. We at Nolazine remember Lil Snupe not only for the tragedy surrounding his death, but also for the talent, ambition and determination he demonstrated during his life. His journey was brief, but the music and memories he left behind continue to inspire listeners. Rest in peace, Lil Snupe—the Louisiana freestyle prodigy who showed the world what it truly meant to chase a dream.

#NOLAZINE - In the annals of Harlem’s turbulent history, few stories strike as deeply as that of William Donnell, affectionately known as Sonny in the movie "Paid In Full". The younger brother of Harlem’s legendary drug figure Rich Porter aka Richard Thomas Porter, William’s name lives on not only as a symbol of innocence lost but as a haunting reminder of how betrayal and greed can dismantle even the most sacred family bonds. To those who knew him, William Donnell was more than just Rich Porter's younger brother—he was the heart of the family. Just 12 years old in 1989, William represented hope, youth, and a chance at a future untethered from the streets that consumed so many. Protected and loved by his family, especially his older brother Rich, William was often seen as a beacon of light amid Harlem’s dark drug-fueled underworld. One of the most unforgettable images associated with William is that of him sitting in a wicker chair—a chilling visual frozen in time. What once might have symbolized innocence or tradition now represents the fragility of life in a world defined by street codes and silent betrayals. That image, etched into the memories of Harlem residents, now serves as a solemn icon of lost youth. On December 5, 1989, William’s life took a harrowing turn. He was kidnapped by his own uncle, known as Uncle Apple, who demanded a $500,000 ransom for his release. The betrayal sent shockwaves through the Porter family. In an act of desperation, Rich Porter offered the only thing he had—40 kilos of cocaine and cash—to broker his little brother’s freedom. He turned to Harlem’s elusive and powerful kingpin, Richard “Fritz” Simmons, for help. But salvation never came. Just before the ransom could be paid, Rich Porter was gunned down, murdered by someone he once trusted—Alpo Martinez, another major player in Harlem’s drug scene. With Rich gone, the urgency to save William faded into silence. Days later, tragedy struck again: William’s dismembered body was found, stuffed in a bag near the Bronx. He was just a child—killed by someone he called family. The murders of Rich and William Donnell shattered the Harlem community and left an unfillable void in the lives of those who loved them. Yet, in the darkness of their deaths emerged a story that continues to resonate—a tale of love, loyalty, betrayal, and the cruel cost of life in the drug era. William Donnell's story isn't just about crime—it's about what happens when greed eclipses humanity, when family becomes the enemy, and when the innocent pay the highest price. More than three decades later, William Donnell is remembered not for the crime that took his life, but for the warmth and love he brought to those around him. His story serves as both a warning and a tribute—a cautionary tale from Harlem’s darkest days, and a reminder that even in a world dominated by violence, the light of innocence and brotherhood never fully fades. Let William Donnell's memory stand as a testament to what was lost—and what we must never forget.

#NOLAZINE - Baton Rouge has produced generations of talented rappers who helped shape Louisiana’s distinctive hip-hop sound. While artists such as Boosie Badazz, Webbie and Young Bleed achieved recognition beyond the city, many other gifted performers helped build the local movement. One of those artists was the late Lil Handy. Born Christopher Shawn Handy on September 12, 1982, Lil Handy came from the Glen Oaks area of Baton Rouge. He emerged during an important period for the city’s underground rap scene, bringing an authentic voice and a street-centered style that reflected his environment. Lil Handy recorded music with several respected Louisiana artists, including Webbie, Boosie, Young Bleed and members of the South Coast Coalition. These collaborations placed him alongside some of the performers who were helping Baton Rouge gain greater attention throughout the South. One of his best-known recordings is “Cut Tha Lights On,” featuring Webbie. The song demonstrated Lil Handy’s natural chemistry with another Glen Oaks native and gave listeners a glimpse of the potential he possessed. Other recordings, including “U Ain’t Stupid,” “Altercations” and “Dimepiece,” helped introduce audiences to his delivery, personality and perspective. Unfortunately, Lil Handy never received the opportunity to witness how far his career could have gone. He died on May 19, 2004, reportedly following injuries sustained in a car accident. He was only 21 years old. His death brought an early end to a promising career and left Baton Rouge mourning another young talent. Lil Handy’s album Rap Hustlin’ was released posthumously in 2005 through Grindtime Entertainment. The project preserved his music while giving listeners an opportunity to experience the artist he was becoming. Years later, songs from the album continue circulating online, allowing a new generation of Louisiana rap fans to discover his work. Lil Handy’s story also represents the importance of preserving regional music history. Not every influential artist receives national recognition, a major-label contract or an opportunity to complete a lengthy catalog. Some artists leave their mark through the music they recorded, the people they inspired and the memories they created within their communities. For longtime Baton Rouge rap listeners, Lil Handy remains connected to an era when the city’s underground sound was growing into a powerful cultural movement. His recordings capture a young artist speaking from his reality while representing Glen Oaks and Baton Rouge with pride. We at Nolazine remember Lil Handy for his contribution to Baton Rouge hip-hop and the potential he displayed during his short career. Although his life ended far too soon, his voice has not disappeared. Every time one of his songs is played or his name is mentioned by those who remember that era, his legacy continues. Rest in peace, Lil Handy—another unforgettable voice from Baton Rouge.

#NOLAZINE - One of the most iconic songs in music history, "What's Going On" by Marvin Gaye, almost never saw the light of day. Berry Gordy, the legendary founder of Motown Records, was famously against the release of the track. He went as far as to declare, “This is the worst record I’ve heard in my life.” Despite Gordy’s resistance, Marvin Gaye persisted, and the song’s eventual success proved it to be a groundbreaking moment—not just for Gaye but for music as a whole. Released in 1971, "What's Going On" marked a significant departure from the polished, radio-friendly Motown sound that had defined the label. Instead, Gaye opted for deeply personal and socially conscious material, addressing issues like police brutality, poverty, and the Vietnam War. At the time, Gordy was apprehensive, fearing the song would alienate Motown’s audience and jeopardize its commercial success. Gaye, however, was resolute. He believed in the power and urgency of the song’s message, famously telling Gordy he wouldn’t record another note until the song was released. Despite the initial pushback, "What's Going On" became an instant classic. The track spent five weeks at the top of the Billboard Hot Soul Singles chart and climbed to #2 on the Billboard Hot 100, selling over two million copies. It became Gaye’s second-most successful song under the Motown banner, solidifying his status as one of the greatest artists of his generation. The song’s success also helped usher in a new era for Motown, paving the way for more experimental and socially aware music. The legacy of "What's Going On" is undeniable. Rolling Stone has consistently celebrated the song’s impact, ranking it at number four on their 500 Greatest Songs of All Time list in both 2004 and 2010. The track remains a powerful anthem of social consciousness and a testament to Gaye’s artistry and courage in standing firm for his creative vision. More than half a century later, "What's Going On" continues to resonate, serving as a reminder of the power of music to spark conversation and inspire change. Marvin Gaye’s unwavering belief in the song ensured its place as one of the most significant pieces of music history, proving that sometimes, taking a risk is what’s truly necessary to make a difference.

#NOLAZINE - Before Young Money became one of the biggest labels in hip-hop, launching the careers of Drake, Nicki Minaj, and Tyga, Lil Wayne was part of another New Orleans rap collective known as Sqad Up. Formed around the end of the 1990s, Sqad Up played an important role in Lil Wayne’s development from the youngest member of the Hot Boys into the unstoppable mixtape rapper who would eventually take over hip-hop. The group included Lil Wayne, Gudda Gudda, Kidd Kidd—then known as Nutt Da Kidd—T-Streets, Raw Dizzy, Young Yo, Supa Blanco, and other affiliated members. Producer and DJ Raj Smoove also helped shape the crew’s sound. Although Sqad Up never became a major mainstream group, its mixtapes developed a strong following and introduced fans to the lyrical style Lil Wayne would later perfect. The Beginning of Sqad Up Sqad Up was formed while Lil Wayne was still signed to Cash Money Records and building his career alongside Juvenile, B.G., and Turk as a member of the Hot Boys. Wayne was already successful, but Sqad Up gave him a different creative environment. Instead of relying only on Cash Money’s official album system, he could record freely with his friends, rap over popular industry beats, and release music directly to the streets. The group’s lineup brought together several young artists connected through friendship, New Orleans, and a shared desire to succeed in music. They were not created by a television show or assembled inside a corporate office. Sqad Up felt like a genuine neighborhood crew. That chemistry became one of the most appealing parts of the music. The Legendary Sqad Up Mixtapes During the early 2000s, Sqad Up released a series of mixtapes commonly known by titles such as SQ1, SQ2, SQ3, SQ4, SQ5, and SQ6. Other releases and remixed installments also circulated among fans. The group frequently recorded over instrumentals from some of the biggest rap songs of the era. That approach gave Lil Wayne and the other members a chance to demonstrate their skills without the restrictions of creating a traditional studio album. Songs such as “We Ready,” “Best of Me,” and the crew’s numerous freestyles became favorites among dedicated Wayne listeners. These recordings captured an important stage in Lil Wayne’s artistic transformation. His delivery was becoming sharper, his punchlines were improving, and his confidence was growing with every release. Listeners could hear him experimenting with the nonstop wordplay that would later define projects such as Dedication 2, Da Drought 3, and No Ceilings. The Sqad Up run helped establish the work ethic that eventually earned Wayne his reputation as one of the greatest mixtape rappers of all time. Fans can still find early projects such as SQ1 on Audiomack, while LilWayneHQ’s history of the group documents its members and releases. Why Didn’t Sqad Up Sign With Cash Money? Despite Lil Wayne’s position at Cash Money Records, Sqad Up never became an official Cash Money group. According to accounts of the group’s history, Sqad Up hoped to release an album through the label, but Cash Money co-founder Birdman reportedly did not believe the group was ready for that opportunity. The members eventually established their own independent label, Money Yung’N Records. Lil Wayne faced a major decision. He could leave Cash Money and continue building Sqad Up, or remain with Birdman and focus on his solo career. Wayne ultimately stayed with Cash Money. That choice contributed to tension between him and some of his former group members. Music and lyrical exchanges followed as the relationship became strained. Meanwhile, Wayne continued moving forward with his solo career and released Tha Carter in June 2004. The album became the beginning of a new chapter for him. Sqad Up Continued Without Lil Wayne After Wayne separated from the group, the remaining members continued recording as Sqad Up. The crew released its independent album Now or Never in 2004. Members also worked with Houston rapper Lil’ Flip and released projects connected to his Clover G’z movement. However, Sqad Up never experienced the commercial breakthrough its supporters expected. Plans for another album, reportedly titled We Here Now, did not result in a widely released project. By approximately 2006, the group had largely gone in separate directions. There was no single moment that ended Sqad Up. The breakup appeared to result from a combination of business disagreements, divided loyalties, missed opportunities, and individual members pursuing their own careers. What Happened to the Members? Several members continued working in music after the group’s original run ended. Lil Wayne Lil Wayne became a global superstar. His Tha Carter album series, legendary mixtape run, and countless guest appearances transformed him into one of the most influential rappers of his generation. He also founded Young Money Entertainment, which became home to Drake, Nicki Minaj, Tyga, and several former Sqad Up associates. Gudda Gudda Gudda Gudda reunited professionally with Lil Wayne and signed with Young Money. He appeared on the label’s 2009 compilation album We Are Young Money and delivered a verse on the hit single “BedRock.” He continued releasing solo mixtapes and appearing on Young Money projects. Although he did not become as commercially successful as Wayne’s biggest artists, Gudda remained one of his longtime friends and collaborators. Kidd Kidd Kidd Kidd also reunited with Wayne and appeared on the 2008 hit “Mrs. Officer.” He later separated from Young Money and signed with 50 Cent’s G-Unit Records. Kidd Kidd became part of the reunited G-Unit lineup and was selected for the 2015 XXL Freshman Class. His journey made him one of the most visible former Sqad Up members outside of Wayne and Gudda Gudda. T-Streets T-Streets remained connected to Lil Wayne and Young Money. He appeared on various songs and projects over the years, although he maintained a lower public profile than several other members. Raw Dizzy Raw Dizzy continued releasing independent music and established his own movement. In 2016, he released “Heaven,” featuring Lil Wayne, showing that at least some of the old tension had been left in the past. Young Yo, Supa Blanco, and other members continued their lives and creative pursuits but did not receive the same level of national exposure. Did Sqad Up Ever Reunite? Over the years, there have been signs that the original members wanted to reunite. In 2015, Raw Dizzy shared information suggesting that a Sqad Up reunion project was being discussed. That same year, Lil Wayne brought Raw Dizzy, Kidd Kidd, and Gudda Gudda onstage during Lil WeezyAna Fest in New Orleans. The reunion was an important moment for longtime supporters. Seeing the members together again reminded fans of the group’s influence on Wayne’s early career. Raw Dizzy’s 2016 collaboration with Wayne created even more hope that a complete reunion album might happen. However, no full Sqad Up reunion project has received a major official release. Sqad Up’s Place in New Orleans Hip-Hop History Sqad Up’s story is bigger than album sales or chart positions. The group represented an important transition in Southern hip-hop. Its members used mixtapes to build an audience, display their talent, and create excitement without depending completely on a major-label album campaign. For Lil Wayne, the Sqad Up years served as a training ground. The constant recording, freestyling, and competition helped him develop the style that eventually made him a superstar. The collective also introduced the world to artists such as Gudda Gudda and Kidd Kidd, both of whom went on to become part of nationally recognized rap movements. Sqad Up may not be active as a full-time group today, but its music remains an essential part of Lil Wayne’s history. Dedicated fans still return to those early mixtapes to hear a young Wayne finding his voice alongside a hungry group of New Orleans rappers. So, whatever happened to Sqad Up? The group separated as Lil Wayne’s solo career exploded and its members followed different paths. Some eventually reunited with Wayne, while others remained independent or stepped away from the spotlight. They never reached their full potential as a group, but their influence lives on. Before Young Money became an empire and before Lil Wayne declared himself the best rapper alive, there was Sqad Up.

#NOLAZINE - The 1994 cult classic A Low Down Dirty Shame, starring Keenen Ivory Wayans and Jada Pinkett (Smith), remains a fan favorite for its mix of action, comedy, and charm. However, many fans might not know that the iconic role of Peaches, portrayed with unforgettable sass and charisma by Jada Pinkett, was initially meant for another talented actress: Rosie Perez. Rosie Perez, known for her distinctive voice, fiery energy, and standout performances in films like Do the Right Thing and White Men Can’t Jump, was initially considered for the role of Peaches. Her dynamic personality and comedic timing made her a natural choice for the role of Shame’s (Keenen Ivory Wayans) sharp-tongued and loyal assistant. While the exact reasons behind the casting change remain unclear, Perez’s absence opened the door for Jada Pinkett to step into the role. Pinkett brought her own flavor to Peaches, turning the character into a standout element of the film. Her chemistry with Wayans, along with her witty one-liners and undeniable screen presence, elevated the role and left a lasting impression on audiences. For many, A Low Down Dirty Shame was one of the early films that showcased Pinkett's star power and versatility as an actress. It’s fascinating to imagine how Perez might have approached the role. With her unmistakable Brooklyn accent and vibrant personality, Peaches would have had a different, but equally compelling, energy. Perez’s background in dance and ability to deliver comedic and dramatic moments alike suggest she could have added a unique layer to the character. Regardless of the casting shift, A Low Down Dirty Shame has cemented its place as a beloved 90s classic. Both Keenen Ivory Wayans and Jada Pinkett delivered memorable performances that continue to resonate with fans decades later. While we’ll never know how Rosie Perez might have shaped the character of Peaches, it’s clear that both actresses bring exceptional talent and unique flair to any role they take on. Would the film have been different with Perez? Undoubtedly. But Pinkett’s portrayal of Peaches has become iconic in its own right, ensuring that A Low Down Dirty Shame remains an unforgettable part of her early career.

#NOLAZINE - When Beyoncé released “Formation” in 2016, listeners immediately recognized the song’s strong connection to New Orleans. The music video featured images inspired by the city’s culture, Black Southern identity, Hurricane Katrina, and the resilience of Louisiana residents. However, one of the record’s most authentic New Orleans elements came from the voice of the late Anthony Barré, better known as Messy Mya. Messy Mya was a New Orleans comedian, bounce artist, and early YouTube personality whose unforgettable voice and personality made him a local cultural icon. Although his life ended tragically in 2010, his influence reached an international audience when excerpts from his videos were used in “Formation.” The decision ultimately resulted in a major legal battle, with Messy Mya’s estate filing a lawsuit seeking more than $20 million in damages and royalties from Beyoncé and several other defendants. Who Was Messy Mya? Born Anthony Michael Barré on December 15, 1987, Messy Mya became known throughout New Orleans for his bold personality, sharp humor, colorful appearance, and ability to turn everyday encounters into entertaining moments. Before TikTok, Instagram Reels, and modern influencer culture, Messy Mya was building an audience on YouTube. His videos showed him walking through different areas, interacting with people, discussing local situations, and delivering hilarious commentary in his unmistakable New Orleans accent. Messy Mya did not need a large production team to hold people’s attention. His personality was enough. His fearless delivery and natural comedic timing made him one of the city’s most entertaining young personalities. He was also involved in New Orleans bounce music and reportedly appeared on songs with local artists, further demonstrating that he was more than an internet comedian. Messy Mya was becoming a multimedia entertainer before many people realized how powerful social media would eventually become. A Promising Life Cut Short Messy Mya was fatally shot in New Orleans on November 14, 2010. He was only 22 years old. His death devastated his family, friends, supporters, and the larger New Orleans entertainment community. At the time of his passing, he had already uploaded more than 100 videos and reportedly accumulated more than two million YouTube views, according to allegations later included in court documents. Those numbers were especially impressive during an era when becoming an online personality was not as common as it is today. Messy Mya was building a recognizable brand and connecting directly with an audience years before social-media content became a major industry. He never had the opportunity to see how large his platform might have become. Beyoncé Used Messy Mya’s Voice in “Formation” Beyoncé released “Formation” on February 6, 2016, one day before performing during the Super Bowl halftime show. The song became an immediate cultural event and was later included on her critically acclaimed album Lemonade. Audio from Messy Mya’s YouTube videos can be heard in the “Formation” music video. His distinctive voice delivers phrases including “What happened at the New Orleans?” and “back by popular demand.” The recordings originated from two of his videos, “A 27 Piece Huh?” and “Booking the Hoes from New Wildings.” Messy Mya’s voice helped establish the video’s New Orleans setting from its opening moments. For people familiar with the city and its internet culture, hearing him on a Beyoncé release was instantly recognizable. It was also a bittersweet moment. His voice had reached millions of people around the world, but he was no longer alive to experience the attention. The Estate Filed a $20 Million Lawsuit In February 2017, Messy Mya’s estate and his sister, Angel Barré, filed a federal lawsuit against Beyoncé and other parties associated with “Formation.” The lawsuit alleged that Messy Mya’s voice, words, and copyrighted performances had been used without proper permission, credit, or compensation. The plaintiffs sought more than $20 million in damages and royalties. They also requested that Messy Mya receive appropriate credit for his contribution. The complaint involved not only the “Formation” music video but also alleged uses of his voice connected to Beyoncé’s Lemonade album and Formation World Tour. Forbes reported on the estate’s allegations and the requested damages. Beyoncé’s attorneys denied that the use amounted to copyright infringement. Her legal team argued that only a small amount of audio—approximately 10 seconds—appeared in the video and that the use was protected as fair use. The defense also stated that the video’s producer had licensed the material. A Judge Allowed Major Claims to Continue Beyoncé and the other defendants asked the court to dismiss the case. In July 2017, U.S. District Judge Nannette Jolivette Brown rejected the request to dismiss several of the estate’s most important claims at that early stage. The judge allowed the copyright infringement, false endorsement, and Louisiana unfair-trade-practices claims to continue, while dismissing the estate’s separate unjust-enrichment claim. The ruling did not determine that Beyoncé was liable; it meant the court could not conclude at that stage that the use was legally protected by fair use. The federal court’s decision can be reviewed in Estate of Barré v. Carter. Reports later indicated that the parties reached a settlement. The terms were not publicly disclosed, meaning it is unknown whether money was paid, how much may have been involved, or what other conditions were included. Therefore, the reported settlement should not be described as a court victory for either side. His Voice Became Part of a Worldwide Moment The legal dispute raised important questions about ownership, sampling, internet content, and whether the creators behind memorable voices receive proper recognition. Messy Mya’s contribution was brief in length, but culturally significant. His voice was not simply a random sound placed in the background. To many New Orleans residents, it immediately represented a specific personality, generation, and part of the city’s culture. “Formation” became one of Beyoncé’s most celebrated releases, and Messy Mya’s voice became forever connected to that moment. For longtime supporters, his appearance on the record introduced the world to something New Orleans already understood: Messy Mya possessed a voice and personality that could never be duplicated. Remembering a New Orleans Original Messy Mya deserves to be remembered for more than the lawsuit or the tragic circumstances surrounding his death. He was an entertainer ahead of his time. He understood how to use the internet to build an audience before social-media fame became normal. His humor, confidence, expressions, and unmistakable delivery made him one of New Orleans’ most memorable personalities. Today, his videos continue to circulate online. His famous sayings are still repeated, and younger viewers continue discovering his work. His influence can also be seen in the many comedians and content creators who use street interviews, neighborhood humor, public commentary, and viral catchphrases to entertain their audiences. At Nolazine, we remember Anthony “Messy Mya” Barré as a true New Orleans original. His life was taken far too soon, but his voice traveled from the streets of his hometown to one of the largest stages in popular culture. Messy Mya may be gone, but New Orleans will never forget him.

In 2007, R. Kelly and Usher teamed up for what would become one of the most talked-about R&B collaborations of the era: “Same Girl.” On the surface, the song played out like a dramatic cautionary tale—two men discovering they were unknowingly involved with the same woman. The record was a commercial success, sparking conversations, debates, and heavy radio play. But behind the scenes, the collaboration carried tension that blurred the line between music and real life. A Hit Built on Drama “Same Girl” stood out because of its storytelling. Structured like a conversation, the song unfolds with R. Kelly and Usher trading verses as they piece together the realization that they’re dealing with the same woman. The concept was cinematic, almost like a short film set to music, and listeners were instantly hooked. At the time, both artists were at powerful points in their careers. Usher was riding the wave of global superstardom, while R. Kelly was still widely regarded as a dominant hitmaker and songwriter. On paper, the collaboration made perfect sense. The Studio Moment That Changed the Vibe However, things reportedly took an unexpected turn during the recording process. According to industry chatter, Usher cut or adjusted a part of the song in a way R. Kelly didn’t like, altering how the narrative came across. What may have been a creative or technical decision on Usher’s part reportedly struck a nerve with Kelly. Instead of keeping the issue strictly about the music, R. Kelly allegedly responded with a comment that made it personal, jokingly but pointedly asking:“Do you think Usher can take my b**?.”** The remark instantly shifted the tone. What was supposed to be collaborative storytelling now felt like ego, insecurity, and rivalry creeping into the studio. When Competition Overshadows Collaboration That comment, whether said seriously or in jest, highlighted the underlying tension that can exist when two major stars share a record. In an industry driven by image, dominance, and legacy, even a fictional storyline can feel threatening when pride gets involved. For fans, “Same Girl” was entertainment. For the artists, it was clearly more layered. The song’s subject matter—jealousy, betrayal, and competition—mirrored the uneasy energy behind the scenes, making the record feel almost prophetic. A Song That Aged With Controversy Over time, “Same Girl” became more than just a hit—it became a reference point in discussions about ego, control, and how personal dynamics can influence creative partnerships. While Usher largely stayed above the drama, R. Kelly’s reaction became part of the song’s legacy, reinforcing the idea that he often struggled to separate art from personal validation. Final Thoughts “Same Girl” remains a standout R&B record from the late 2000s, but its backstory adds an extra layer of intrigue. What started as a clever concept record turned into a subtle power struggle, proving that sometimes the real drama isn’t in the lyrics—it’s in the room where the song is made. In the end, the track serves as a reminder that when egos clash, even hit records can come with uncomfortable behind-the-scenes moments.

#NOLAZINE - New Orleans is famous around the world for its food. From red beans and rice to crawfish, jambalaya, and po’boys, the city has created dishes that represent its history, culture, and people. However, few dishes are connected to New Orleans quite like gumbo. Almost every local family has its own way of preparing it, but if you are looking for a bowl filled with authentic New Orleans flavor, Orleans Brothers deserves your attention. Located at 5941 Bullard Avenue in New Orleans East, Orleans Brothers is a family-owned specialty restaurant operated by husband-and-wife team Terrence and Krystal Carroll. The New Orleans natives turned their shared passion for food and family tradition into a business dedicated to serving the flavors of their hometown. The restaurant proudly describes its gumbo as some of the best in New Orleans—and one taste makes it easy to understand that confidence. A Bowl Filled With New Orleans Flavor Orleans Brothers’ gumbo is loaded with chicken, sausage, crab, and shrimp. Every ingredient comes together inside a rich and flavorful base that delivers the comforting taste people expect from a homemade Louisiana gumbo. This is not the type of gumbo that feels rushed or watered down. It is a hearty meal created for people who appreciate bold seasoning, quality ingredients, and the kind of flavor that reminds them of eating at a family member’s house. The gumbo is available in regular and large sizes, making it perfect for lunch, dinner, or anytime you are craving authentic New Orleans comfort food. New Orleans residents take gumbo seriously. Conversations about who makes the best bowl can quickly become passionate debates. Orleans Brothers has earned its place in that conversation by creating gumbo that respects tradition while carrying the restaurant’s own distinctive touch. More Than Just Gumbo Although the gumbo may be the star of the show, Orleans Brothers offers several other New Orleans favorites worth trying. The restaurant specializes in savory crawfish pies, including miniature pies, personal-sized pies, and large pies made for sharing. Its menu also features beef yakamein, crawfish-stuffed baked potatoes, stuffed bell peppers with crawfish-pie filling, and traditional pecan pralines. That variety allows customers to experience several sides of New Orleans cuisine in one place. You can begin with a hot bowl of gumbo, add a crawfish pie, and finish the meal with a sweet praline. Orleans Brothers also provides catering, giving customers an opportunity to bring its bold Louisiana flavors to weddings, corporate gatherings, celebrations, and other special occasions. A Family Business Built With Love What makes Orleans Brothers special is not only the food—it is also the story behind the restaurant. Terrence and Krystal Carroll share a connection that goes back to childhood. They grew up in New Orleans and eventually transformed their friendship, shared goals, and dedication to cooking into a family business. That personal foundation can be felt throughout the restaurant. Orleans Brothers represents the independent New Orleans businesses that preserve the city’s culinary traditions while creating opportunities for future generations. It is a reminder that some of the city’s best food is not always found in the French Quarter or inside a large downtown restaurant. Sometimes it is waiting inside a neighborhood establishment where the recipes are personal and customers are treated like family. Put Orleans Brothers on Your Food List Whether you were born and raised in New Orleans or you are visiting the city for the first time, Orleans Brothers should be on your list of places to try. Come for the world-famous gumbo, but do not leave without exploring the rest of the menu. The crawfish pies, yakamein, stuffed baked potatoes, stuffed peppers, and pralines all help Orleans Brothers provide a complete taste of New Orleans. We all know New Orleans is famous for gumbo—but you haven’t truly experienced gumbo until you’ve tried Orleans Brothers. Visit Orleans Brothers at 5941 Bullard Avenue in New Orleans East. Because online listings currently show different suite numbers, customers should confirm the exact unit through the restaurant’s website or by calling (504) 415-5817 before visiting.

#NOLAZINE - In the world of horror films, actors often face terrifying stunts—but few can match the real-life bravery of Tony Todd during the filming of the 1992 horror classic Candyman. Known for his chilling portrayal of the hook-handed killer, Todd went above and beyond to make the character as terrifying and authentic as possible—agreeing to perform scenes with real bees. According to reports, the production team promised Todd $1,000 every time he got stung by the bees. It was a risky and painful deal, but Todd, committed to his craft, accepted without hesitation. Over the course of filming, the actor endured 23 bee stings, earning a total of $23,000—and quite a few scars along the way. The decision to use real bees wasn’t just for shock value. Director Bernard Rose wanted the scenes to feel authentic, capturing the raw terror of being swarmed and stung. Todd’s willingness to work under these extreme conditions contributed to the film’s lasting impact and solidified his reputation as a fearless performer in the horror genre. Beyond the money and physical pain, the story highlights Todd’s dedication and professionalism. While most actors would rely on special effects or protective props, Todd put himself directly in harm’s way for the sake of art—a testament to the lengths performers sometimes go to bring a character to life. Today, the tale of Tony Todd and the real bees remains one of the most infamous behind-the-scenes stories in horror cinema, proving that sometimes, authenticity comes at a literal sting.