#NOLAZINE - Juice WRLD’s breakout hit "Lucid Dreams" has become one of the most iconic songs of the last decade, but behind its massive success lies a significant rights controversy involving the legendary musician Sting. The song, which heavily samples Sting's 1993 track "Shape of My Heart," was released without proper clearance of the sample, ultimately giving Sting significant leverage in post-release negotiations. As a result, Sting owns 85% of the rights to "Lucid Dreams," a decision that sparked frustration from the song's producer, Nick Mira, who voiced his dismay over the situation. Despite the tension, Sting himself has praised the track, calling it a “beautiful interpretation that is faithful to the original song’s form” in an interview with Billboard. “Lucid Dreams” has gone on to achieve monumental success, earning a diamond certification in the United States with over 11 million units sold. Sting even jokingly remarked that the royalties from the song will “put his grandkids through college,” further emphasizing the financial windfall he gained from the track. For Juice WRLD, “Lucid Dreams” solidified his place as a generational talent, with its raw emotion and melodic brilliance resonating deeply with listeners worldwide. However, the legal and financial fallout serves as a reminder of the importance of clearing samples in the music industry. While the rights dispute remains a controversial chapter in the song’s legacy, “Lucid Dreams” continues to stand as a timeless piece of artistry, blending Juice WRLD’s innovative style with the hauntingly beautiful essence of Sting’s original work.

#NOLAZINE - When R&B legend Aaliyah tragically passed away in a plane crash in 2001, the world was devastated. At just 22 years old, she had already left an extraordinary impact on music, fashion, and pop culture. As fans and fellow artists mourned, a heartbreaking detail emerged behind the scenes—Aaliyah’s record label allegedly backed out of paying the $68,000 required for her funeral expenses. In the midst of this tragedy, one of Aaliyah’s peers stepped up in a quiet, powerful way. Maxwell, the Grammy-winning R&B singer known for timeless hits like “Ascension” and “Fortunate,” privately paid for Aaliyah’s funeral without seeking any publicity or recognition. His silent gesture spoke volumes, not just about his character, but about the deep bonds that exist within the R&B community. This wasn’t about headlines. It was about honoring a friend and ensuring her family didn’t carry the financial weight during a time of unimaginable grief. Maxwell’s act of compassion allowed Aaliyah’s loved ones to focus on giving her the farewell she deserved. Though it remained largely unknown to the public for years, the story has since surfaced as a reminder of the genuine love and respect artists have for one another—especially in moments of tragedy. Maxwell didn’t do it for praise. He did it because Aaliyah was one of them—a sister, an icon, a soul gone too soon. This selfless act only adds to Maxwell’s legacy—not just as a gifted artist, but as a man of integrity and heart.

#NOLAZINE - In a city where jazz and brass are deeply embedded in its cultural DNA, New Orleans gave rise to a gritty, unfiltered voice in hip-hop during the early 1990s—The Ghetto Twiinz. Composed of twin sisters Tonya and Tremethia Jupiter, the Ghetto Twiinz emerged as a powerful force in Southern rap, blending streetwise storytelling with fearless authenticity. Their rise from the streets of New Orleans to the Billboard charts cemented their place in hip-hop history as one of the most impactful female duos to ever touch the mic. Born and raised in the heart of New Orleans, Tonya and Tremethia were no strangers to struggle. In 1991, the sisters formed the Ghetto Twiinz as a way to channel their experiences through music, offering a raw, unapologetic look at life in the city's neighborhoods. Their lyrical honesty set them apart—these weren’t just catchy hooks and club anthems; this was real-life pain, survival, and sisterhood poured into every verse. Their big break came in 1994 when they signed with Big Boy Records, a key player in the city’s emerging hip-hop scene. Two years later, they dropped their debut album, “Surrounded by Criminals,” a gritty, fearless project that resonated with people across the South and beyond. Their unique perspective as women navigating a male-dominated, street-centric world of rap added a much-needed voice to the genre. Following their breakthrough, the Ghetto Twiinz leveled up by signing with Rap-a-Lot Records and Noo Trybe Records—home to some of the most influential names in Southern hip-hop. In 1997, they released “In That Water,” continuing to build on their momentum with vivid storytelling and southern bounce-infused production. The project landed on the Billboard charts, proving their sound had both reach and relevance. In 1998, they followed up with “No Pain No Gain,” a title that reflected their journey through adversity. With themes of struggle, survival, and strength, the album solidified their reputation as lyrical powerhouses unafraid to speak their truth. They would release one more album, “Got It on My Mind” (2001), before taking a step back from the spotlight. After 2001, the Ghetto Twiinz went on a hiatus, leaving behind a noticeable void in the Southern rap scene. But in 2010, they made their highly anticipated return, performing live at House of Blues New Orleans, opening for Mystikal, with a special appearance by the legendary Mannie Fresh. In 2011, the sisters made their official comeback with the release of the EP “Them People Coming.” The project served as a reminder of their unmatched chemistry, lyrical depth, and unwavering presence in the game—even after a decade away. The Ghetto Twiinz have carved out a legacy that goes far beyond their discography. As Black women in hip-hop, particularly in the South, their success and longevity broke barriers and inspired generations of female artists to follow. Their music addressed hard-hitting topics—poverty, violence, addiction, and injustice—while still maintaining a sense of empowerment, resilience, and pride in their roots. Their impact on New Orleans hip-hop culture cannot be overstated. They were among the few female acts who stood toe-to-toe with their male counterparts, bringing a fresh, necessary perspective to a genre too often dominated by one voice. Today, the Ghetto Twiinz continue to build on their legacy. With an enduring fanbase and a renewed passion for their craft, Tonya and Tremethia Jupiter remain symbols of strength, survival, and authenticity in music. They’ve shown that the voice of the streets isn’t confined to gender, and that storytelling—when real and raw—can stand the test of time. Their journey is far from over. For longtime fans and new listeners alike, the Ghetto Twiinz’ music serves as a powerful reminder of where hip-hop came from—and where it’s going. Discover More: Follow the Ghetto Twiinz on social media and streaming platforms to stay updated on new music, performances, and more.Instagram: @ghettotwiinz From the heart of New Orleans to hip-hop history, the Ghetto Twiinz are a legacy built on truth, talent, and tenacity.

#NOLAZINE - In the early 1990s, Tupac Shakur was beginning to make his mark not just as a rising rap star but also as a promising actor. After his breakout role in Juice (1992), Shakur was cast alongside Janet Jackson in John Singleton’s 1993 romantic drama Poetic Justice. While the film would go on to become a cult classic, its behind-the-scenes history included one surprising controversy: 2Pac being asked to take an AIDS test before filming. The issue reportedly arose from Janet Jackson’s camp. Rumors swirled at the time that Jackson, who was cautious about her on-screen intimacy, requested that Shakur be tested for HIV before filming their kissing scenes. This was during a period when stigma and fear surrounding the AIDS epidemic were still widespread, and misinformation about transmission was common. Shakur, however, didn’t take the request lightly. According to multiple interviews, he felt offended and disrespected by the implication. While professional safety standards in Hollywood have always required certain health precautions, Pac believed the demand was personal rather than professional—especially since kissing poses no realistic risk of HIV transmission. “Why would I need to take an AIDS test to kiss someone on camera?” Shakur questioned in later conversations, pointing out that no such request had been made of other actors in similar situations. Some reports suggest that Jackson’s team even offered to pay for the test, but Pac refused, insisting it was unnecessary and insulting. Despite the tension, Shakur and Jackson maintained a strong on-screen chemistry, and their performances helped Poetic Justice resonate with audiences. But the incident has remained a notable example of how fear and misunderstanding surrounding HIV/AIDS impacted relationships, workplaces, and cultural perceptions in the early ’90s. For Tupac, the episode also revealed his uncompromising nature. He wasn’t afraid to stand on principle, even in Hollywood, where most young actors might have complied to avoid conflict. Instead, Pac treated the request as both a personal slight and a broader reflection of society’s misconceptions about AIDS at the time. Ultimately, the controversy didn’t prevent Poetic Justice from being released or from cementing itself as a cornerstone in both Shakur’s and Jackson’s careers. Yet, the story remains a reminder of how stigma shaped even the most high-profile spaces—and how Tupac’s defiance became part of his larger legacy of challenging authority and refusing to be disrespected.

#NOLAZINE - In March 1982, the world of R&B was shaken when legendary soul singer Teddy Pendergrass was involved in a devastating car accident in Philadelphia. At the peak of his career, Pendergrass was known for his velvet voice, magnetic stage presence, and his ability to move crowds with timeless classics. But the crash not only left him paralyzed from the chest down—it also ignited a media firestorm centered around the woman who was in the car with him that night: Tenika Watson. Watson, a transgender nightclub performer, suddenly found herself thrust into the public eye in the most sensationalized way possible. When news of the accident broke, the press didn’t just focus on Pendergrass’s tragic injuries—they fixated on Watson’s identity. Tabloids fueled rumors and misinformation, often painting her in a scandalous light rather than acknowledging her as a person who had also survived a traumatic event. Among the most damaging stories was the false claim that Watson had been performing an intimate act on Pendergrass at the time of the crash. That rumor lingered for years, overshadowing the official investigation, which later determined the accident was caused by mechanical failure in Pendergrass’s Rolls-Royce, not misconduct inside the vehicle. For Pendergrass, the accident marked a profound shift in his life and career. Once considered one of the most electrifying performers of his generation, he faced the challenge of adjusting to life in a wheelchair. But through resilience and determination, he made a remarkable comeback, continuing to record music and inspire fans around the world. The story of Tenika Watson, however, highlights the darker side of fame and media culture—where marginalized identities are often treated as spectacle. Instead of compassion, Watson was met with scrutiny, her identity used to sensationalize a tragedy. In many ways, her presence in that car became a turning point in how the media handled stories involving transgender individuals, even if at the time it was clouded by ignorance and bias. More than four decades later, the accident remains a moment that reshaped Teddy Pendergrass’s life and legacy. It also stands as a reminder of how easily narratives can be twisted when prejudice meets celebrity culture. For Pendergrass, it was a story of strength in the face of adversity. For Tenika Watson, it was an involuntary spotlight that revealed society’s need to evolve in its treatment of transgender people.

#NOLAZINE - Cash Money Records is one of hip-hop's most storied labels, producing legendary artists like Lil Wayne, Juvenile, B.G., and Turk. But while these names dominate the headlines, there’s another foundational figure whose contributions deserve more recognition—Lil Derrick, also known as Bulletproof. A true son of New Orleans and an original member of the Hot Boys, Lil Derrick played a pivotal role in shaping the early identity of Cash Money Records before his life was tragically cut short in 2002. Lil Derrick was more than just a footnote in the history of Cash Money—he was family, both figuratively and literally. As Birdman's nephew, he had both the lineage and the lyrical talent to leave his mark on the label's early rise. In the mid-to-late 1990s, when Cash Money was still a regional powerhouse on the verge of national explosion, Lil Derrick was right in the mix—rapping, performing, and helping define the gritty, street-centric sound that would soon dominate the charts. Though he left the group before the Hot Boys’ breakthrough album “Guerrilla Warfare” dropped in 1999, his influence still resonated. The group's chemistry and street appeal were forged in those formative early years, and Lil Derrick was instrumental in laying that foundation. One of Derrick’s standout moments came on Hot Boys “Spit N’ Game,” featured on Juve’s classic 1997 album Solja Rags. With a cadence and street wisdom that echoed his upbringing in the Magnolia Projects, Derrick delivered a raw, memorable verse that showcased his unique style and potential. His flow bore a striking resemblance to Birdman’s—perhaps a reflection of their familial bond and shared environment—but with a rawness that set him apart. It was moments like this that cemented Derrick’s status as more than just a supporting player—he was a rising star in his own right. In 2002, as Cash Money Records was soaring into the mainstream spotlight, tragedy struck. Lil Derrick’s life was taken in a murder that remains clouded in mystery. His death sent shockwaves through New Orleans and the Cash Money family. He was gone just as the world was beginning to notice the strength of the Hot Boys and the empire that Cash Money was becoming. Though his career was brief, Derrick’s presence was powerful. His talent, blood ties to the label’s leadership, and role in shaping the early identity of the Hot Boys solidify his place in hip-hop history. In an industry often driven by fame and visibility, it’s easy for early contributors to be overshadowed. But Lil Derrick’s legacy lives on—in verses like “Spittin Game,” in the memories of New Orleans rap fans, and in the DNA of Cash Money Records. He may not have reached the commercial heights of his peers, but his contribution to the culture was just as vital. As Cash Money continues to be celebrated for its influence and longevity, it’s only right that we also remember those who helped build the label from the ground up. Lil Derrick—aka Bulletproof—was the 5th Hot Boy, and his story deserves to be told.

#NOLAZINE - When Abraham Shakespeare, a humble truck driver’s assistant from Florida, won a staggering $30 million in the lottery in 2006, his life changed overnight. For many, such a windfall represents freedom, opportunity, and the chance to live out lifelong dreams. But for Shakespeare, the fortune quickly turned into a nightmare, one that would tragically end in betrayal and murder. Shakespeare, a quiet and generous man, initially used his winnings to help those around him. Friends, acquaintances, and even strangers often came to him seeking financial assistance, and he rarely said no. His kindness, however, left him vulnerable. As the money dwindled, so did his peace of mind. Those close to him later recalled how he longed for the simpler days before his lottery win, often saying he wished he had never bought the ticket. The pressure of sudden wealth intensified when Shakespeare crossed paths with Dee Dee Moore, a woman who offered to help him manage his fortune. At first, Moore appeared to be a business partner and confidant, but in reality, she was plotting to take control of his assets. Within a few years, Shakespeare disappeared, and suspicion quickly turned toward Moore. In 2010, the mystery came to a grim conclusion when Shakespeare’s body was discovered buried under a concrete slab in the backyard of a home connected to Moore. Investigators determined that she had manipulated, exploited, and ultimately murdered him in an attempt to seize his remaining fortune. Moore was later convicted of first-degree murder and sentenced to life in prison without parole. The tragic story of Abraham Shakespeare is a cautionary tale about the darker side of sudden wealth. Far from bringing him happiness, his lottery winnings attracted opportunists, created enemies, and left him isolated. Instead of freedom, his fortune made him a target. Shakespeare’s fate serves as a sobering reminder that money can amplify both the good and the bad in people’s lives—and that sometimes, the price of wealth can be far greater than the reward

#NOLAZINE - The history of New Orleans hip-hop, few rivalries have stood out quite like the one between Mystikal and the legendary rap group U.N.L.V.. Representing opposing sides of the city’s booming rap scene in the 1990s, Mystikal held it down for Big Boy Records, while U.N.L.V. represented Cash Money Records—two powerhouse labels that defined an era. But what many fans don’t know is that this infamous rap beef wasn’t actually real. Both acts were rising stars at the time, and their lyrical clash helped elevate the competitive energy between New Orleans’ top record labels. However, behind the bars and diss tracks, Mystikal and members of U.N.L.V. actually had a personal connection. Mystikal and Lil Ya of U.N.L.V. went to school together Uptown, which meant they knew plenty about each other—including details like Mystikal once being a cheerleader in school and later joining the Army. That familiarity made the lyrical shots feel incredibly personal to fans. According to Lil Ya, the entire beef started after Mystikal approached him directly, asking if he could diss the group for attention. Lil Ya reportedly told him he didn’t care, giving Mystikal the green light. Mystikal’s first diss track went largely unnoticed, but when he came back with a second, more personal record, it got everyone’s attention. That track shook the local rap scene and forced U.N.L.V. to respond in a major way. The result was “Drag ’Em N Tha River,” one of the most iconic diss records in New Orleans rap history. The song cemented U.N.L.V.’s place as street legends and added fuel to the already growing tension between Cash Money and Big Boy Records. In hindsight, the so-called beef turned out to be more strategic than personal, showcasing just how sharp and competitive the New Orleans rap scene was during that golden era. What started as a friendly challenge between two artists who knew each other well evolved into one of the most talked-about moments in local hip-hop history. Even though it wasn’t a real feud, the Mystikal vs. U.N.L.V. storyline remains a defining chapter in New Orleans rap, reminding fans of the city’s unmatched energy, creativity, and raw authenticity.

#NOLAZINE - Life after the spotlight can be unforgiving, and for boxing legend “Sugar” Shane Mosley, retirement marked the beginning of a difficult personal chapter. Once one of the most feared and respected fighters in the world, Mosley’s transition out of boxing was followed by a highly publicized divorce that shocked fans nearly as much as his biggest fights. After Mosley retired from the ring, his marriage reportedly fell apart. What followed was a bitter divorce in which his wife was awarded a significant portion of his assets — including championship belts, memorabilia, and personal items accumulated throughout his Hall of Fame career. For a man who spent decades bleeding, training, and sacrificing for greatness, the loss went far beyond money. What made the situation even more painful was what came next. Many of Mosley’s prized possessions were allegedly sold off on eBay, turning pieces of boxing history into online listings. Items that once symbolized world titles, legacy, and personal triumph were suddenly reduced to auction prices, visible to fans and collectors around the globe. For Mosley, it was a harsh reminder of how quickly life can change once the checks stop coming and the crowds stop cheering. Inside the ring, he conquered legends like Oscar De La Hoya and built a reputation as one of the greatest fighters of his era. Outside the ring, however, he faced a battle he couldn’t win with speed, power, or heart. The story of Shane Mosley serves as a cautionary tale about the realities many athletes face after retirement. Fame fades, finances shift, and personal relationships can unravel under pressure. It highlights the importance of financial planning, legal protection, and emotional support long after the final bell rings. Despite the personal losses, Sugar Shane Mosley’s boxing legacy remains untouchable. Titles can be sold and possessions can disappear, but his place in boxing history is permanent — a reminder that even legends are human once the gloves come off.

#NOLAZINE - DMX and Aaliyah created one of the most memorable rapper-and-R&B-singer collaborations of the early 2000s. Their chemistry was undeniable. They appeared together in the 2000 movie Romeo Must Die, collaborated on the soundtrack record “Come Back in One Piece,” and developed a friendship that DMX continued speaking about with love and respect long after Aaliyah's tragic death. But there was apparently one person who wasn't always comfortable watching their chemistry: DMX's then-wife, Tashera Simmons. Years later, both DMX and Tashera told a hilarious—but revealing—story about what happened while DMX and Aaliyah were filming the “Come Back in One Piece” music video. According to Tashera, the two stars became a little too cozy for her liking. So was there actually something romantic happening between DMX and Aaliyah? There is no credible evidence proving that. But once you hear what happened on the video set, it's easy to understand why DMX's wife wasn't exactly smiling. DMX and Aaliyah Connected Through “Romeo Must Die” DMX and Aaliyah's friendship developed around the making of the 2000 action film Romeo Must Die. Aaliyah starred alongside Jet Li in the movie, while DMX made a memorable appearance as Silk. DMX later recalled that Aaliyah and producer Joel Silver personally approached him while he was on tour about participating in the movie. That made an impression on X. Aaliyah was already a major star, yet instead of simply having somebody from her team make a telephone call, she personally came to see him. DMX agreed. And from there, the two artists developed a friendship. Then Came “Come Back in One Piece” Their connection continued through the Romeo Must Die soundtrack. DMX joined Aaliyah for “Come Back in One Piece,” a record that perfectly combined their completely different musical personalities. Aaliyah was smooth and mysterious. DMX was aggressive and gritty. On paper, it might have seemed like a strange combination. On record, it worked. The contrast was exactly what made the song special. The music video further emphasized their chemistry, with Aaliyah entering DMX's world and filming scenes around Mount Vernon and Yonkers. But behind the scenes, another story was developing. And DMX's wife was watching everything. Tashera Simmons Was on the Video Set When DMX filmed the “Come Back in One Piece” video with Aaliyah, he wasn't hiding anything from his wife. Tashera was actually there. DMX later remembered bringing his wife and his dog to the video shoot. During one particular scene, DMX was sitting on a bench while Aaliyah was positioned between his legs. According to DMX, the weather was chilly. He had on a jean jacket. Aaliyah only had on a T-shirt. So between takes, X decided to help keep Aaliyah warm. He began rubbing her arms. That's when things apparently changed. Because across the set stood Mrs. DMX. And she was watching. Tashera Thought They Were Getting “Too Cozy” Years later, Tashera Simmons recalled the incident for TV One's Uncensored special about DMX. From DMX's perspective, he was simply warming up his friend. From his wife's perspective? It looked entirely different. Tashera described DMX and Aaliyah as looking a little too comfortable together. She acknowledged that someone can innocently try to warm up a friend, but what she was witnessing appeared “a little bit too cozy.” DMX knew his wife wasn't happy either. He later joked about feeling Tashera staring at him from across the set. Any married man probably understands that look. You don't need your wife to say anything. You already know you're in trouble. DMX Looked at His Wife—and Kept Going This might have been the part that irritated Tashera the most. DMX noticed her. According to both of their recollections, he looked over and could tell she wasn't happy about what she was seeing. But instead of immediately creating some distance between himself and Aaliyah, X essentially decided he would deal with his wife later. Tashera remembered thinking that her husband was behaving as though he didn't have a wife standing right there on the set. She was furious. She later joked that she wanted to cause a scene but forced herself to maintain her composure. Imagine the situation. Your husband is one of the biggest rappers in the world. He's filming a music video with one of the most beautiful and popular R&B singers in music. She's sitting between his legs. And now he's rubbing her arms. While you're standing across the room holding the dog. Tashera's reaction suddenly becomes much easier to understand. But Did DMX and Aaliyah Actually Have an Affair? This is where the story needs to be separated from internet speculation. There is no established evidence that DMX and Aaliyah had a romantic or sexual relationship. Tashera's comments describe what she witnessed and how uncomfortable it made her. That's very different from proving an affair happened. DMX consistently spoke about Aaliyah as somebody he genuinely cared about. Their friendship clearly became important to him. But neither DMX nor Aaliyah publicly confirmed that they were secretly dating. So while the chemistry may have made Tashera suspicious or angry, it shouldn't automatically be transformed into a claim that DMX cheated with Aaliyah. DMX Definitely Admired Aaliyah What cannot be questioned is DMX's admiration for Aaliyah. Years after her death, X still became emotional discussing her. He remembered how much he enjoyed working with her and talked about bringing Aaliyah into his neighborhood while filming their video. He also recalled attending an awards show with her. For DMX, being able to arrive somewhere with Aaliyah beside him apparently made him feel pretty good about himself. And can you blame him? Aaliyah was one of the biggest young stars in entertainment. She had beauty, style and an almost mysterious personality that fascinated people. DMX clearly enjoyed her company. Aaliyah's Death Hit DMX Hard Everything changed on August 25, 2001. Aaliyah died at only 22 years old when a plane carrying her and members of her team crashed shortly after takeoff in the Bahamas. The news devastated the music industry. DMX was among the countless artists affected by her death. He participated in Aaliyah's posthumous “Miss You” music video, delivering an emotional message to his late friend. It became one of the most memorable moments in the tribute. Seeing the normally aggressive DMX openly showing that softer side demonstrated just how much Aaliyah meant to him. DMX Even Named His Daughter Aaliyah Perhaps the greatest demonstration of DMX's affection for Aaliyah came years later. DMX named one of his daughters Aaliyah. That wasn't simply a celebrity giving another celebrity a compliment. It demonstrated how positively he remembered her and the impact their friendship had made on him. Years after Aaliyah was gone, X was still making sure her name remained part of his life. That says a lot about their bond. Why Was Tashera So Suspicious? There's another important part of this story. Tashera wasn't viewing the situation in a vacuum. Her marriage to DMX eventually became extremely complicated. In later interviews, she openly discussed dealing with infidelity during their relationship. She and DMX had known each other since they were young, long before he became an international superstar. But fame brought enormous changes. DMX became one of the biggest rappers alive. Women surrounded him. Touring became part of life. Money arrived. Temptation arrived. And according to Tashera's later accounts, DMX eventually fathered children with other women during their marriage. So when she saw her husband becoming physically comfortable with another beautiful woman—even if that woman was simply a friend—it makes sense that alarms would go off. Aaliyah and DMX Had Natural Chemistry Watching their old footage today, it's easy to understand why people continue discussing their relationship. They genuinely looked comfortable around each other. Their personalities were completely different, yet somehow they connected. DMX was loud, unpredictable and emotionally intense. Aaliyah was calm, soft-spoken and famously laid-back. Maybe that's why the friendship worked. Sometimes opposites connect naturally. And that chemistry transferred directly onto the screen. More than 25 years later, people still watch “Come Back in One Piece” and talk about how good the two looked together. Tashera apparently noticed that chemistry before everybody else. Unfortunately for DMX, she was standing right there when it happened. The Story Became Funny Years Later What's interesting is that DMX and Tashera were eventually able to tell the story with humor. There was clearly real jealousy at the time. Tashera wasn't pretending she was happy about what happened. But years later, both could describe the moment and laugh about parts of it. That gives us an unusual glimpse behind the scenes of celebrity life. To fans, it was simply DMX and Aaliyah filming a classic music video. To Tashera, it was: “Why is my husband rubbing Aaliyah's arms while she's sitting between his legs?” Those are two completely different experiences. So Did DMX and Aaliyah Become Too Close? According to Tashera Simmons, they certainly became too comfortable for her liking during that video shoot. DMX himself didn't deny the incident. He openly admitted warming Aaliyah's arms while she sat between his legs and remembered feeling his wife's angry stare. But that doesn't prove there was a secret romance. What we can say is that DMX and Aaliyah developed a genuine friendship and shared obvious chemistry. They made a movie together. They made music together. They filmed a memorable video together. And DMX continued honoring Aaliyah long after her death. Tashera witnessed some of that chemistry firsthand and reacted the way many wives probably would have reacted. She wasn't having it. Two Legends Gone Too Soon The story feels different today because neither artist is still here. Aaliyah died in 2001 at only 22. DMX died in 2021 at 50. Two completely different artists from two completely different musical worlds somehow crossed paths and created something fans still remember decades later. Whatever their private feelings may have been, there is no credible basis for rewriting their friendship as a confirmed affair. What we do have is something more human: A husband, a wife, a beautiful friend, undeniable chemistry and one extremely uncomfortable day on a music-video set. Tashera saw DMX and Aaliyah getting close. DMX saw his wife staring. And apparently X made the decision that countless husbands have regretted making throughout history: He decided he'd deal with his wife later. More than two decades later, we're still talking about it.

#NOLAZINE - The 1990s gave hip-hop some records that became bigger than the artists who originally created them. You don't have to know every album. You don't have to remember every music video. Sometimes all it takes is the first few seconds of a beat and an entire generation immediately knows what song is coming. For Oakland rap duo Luniz, that record is undoubtedly: “I Got 5 on It.” Released in 1995, “I Got 5 on It” became one of the most recognizable West Coast rap songs of the decade. The haunting production, unforgettable hook and chemistry between rappers Yukmouth and Numskull created a record that would survive far beyond its original moment. More than 30 years later, the song continues appearing in movies, television, parties, sporting events, playlists and social media. But while the record never disappeared, Luniz largely disappeared from mainstream hip-hop. So what happened? Whatever happened to Luniz? Luniz Came Out of Oakland Luniz was formed by Oakland, California rappers Yukmouth and Numskull. Originally known as The LuniTunes, the duo emerged from the Bay Area rap scene during an important period for Northern California hip-hop. Oakland already had a powerful musical identity. Too $hort had become one of the city's biggest rap pioneers. Digital Underground had achieved national success. MC Hammer had turned Oakland into part of mainstream pop culture. And throughout the Bay Area, an independent rap economy was developing that would eventually produce generations of influential artists. Luniz belonged to that environment. They had the slang. They had the street stories. They had the humor. And most importantly, they had chemistry. Then they found the record that would change everything. “I Got 5 on It” Became a Monster Hit In 1995, Luniz released “I Got 5 on It,” featuring Michael Marshall. The concept was simple. Two people putting five dollars each toward purchasing marijuana. But the production turned that simple idea into something much bigger. The record was produced by Tone Capone, and its eerie melody incorporated elements associated with Club Nouveau's “Why You Treat Me So Bad.” Once that beat came on, it was almost impossible to forget. “I Got 5 on It” exploded. The song reached No. 8 on the Billboard Hot 100 and became successful internationally as well. For two rappers coming out of Oakland, it was a career-changing moment. Suddenly Luniz wasn't simply a Bay Area rap group. They had a worldwide record. “Operation Stackola” The success of “I Got 5 on It” helped push Luniz's debut album, Operation Stackola, into the spotlight. Released in 1995 through Noo Trybe/Virgin Records, the album reached No. 1 on Billboard's Top R&B/Hip-Hop Albums chart and became a major commercial success. The album proved there was more to Luniz than one catchy hook. Yukmouth and Numskull brought different personalities to the group, but their styles complemented each other. The album also arrived at a time when West Coast hip-hop was dominating popular culture. Dr. Dre, Snoop Dogg, Tupac Shakur and Death Row Records were receiving enormous attention in Southern California. Meanwhile, Northern California had its own movement happening. Luniz helped make sure Oakland remained part of the national conversation. The “I Got 5 on It” Remix Was Loaded With Bay Area Talent One of the most memorable parts of the song's history was the remix. The Bay Ballas Remix brought together an impressive collection of Northern California artists, including E-40, Shock G, Richie Rich, Dru Down and Spice 1. It became more than a remix. It was almost a statement about Bay Area unity. For hip-hop fans outside California, the record provided another introduction to just how much talent existed in the Bay. And for local fans, it became an anthem. Everything appeared to be lined up for Luniz to have a long mainstream run. But duplicating a record as enormous as “I Got 5 on It” would prove difficult. The Second Album Didn't Have Another “5 on It” Luniz returned in 1997 with their second album, Lunitik Muzik. By then expectations were high. When your first album contains a record as enormous as “I Got 5 on It,” every song that follows is inevitably compared with it. Lunitik Muzik featured appearances from major artists and respected West Coast names, but commercially it couldn't reproduce the phenomenon surrounding their debut. That doesn't necessarily mean the music was bad. It meant Luniz had experienced something that happens to many artists: Their first major hit became so enormous that almost anything afterward looked smaller by comparison. The music industry can be unforgiving in those situations. Instead of allowing artists to gradually develop, labels often expect another massive single immediately. And as hip-hop moved toward the end of the 1990s, the industry was changing quickly. Yukmouth Started Building His Solo Career While Luniz's mainstream momentum slowed, Yukmouth began establishing himself as a solo artist. He released his debut solo album, Thugged Out: The Albulation, in 1998. The double album helped establish Yukmouth outside Luniz and demonstrated that he wasn't interested in allowing one famous song to define his entire career. Yukmouth became heavily involved in independent West Coast hip-hop. He also formed The Regime, a rap collective that included various artists over the years. His solo catalog continued growing with projects such as Thug Lord: The New Testament and numerous later releases. Yukmouth developed the type of career that doesn't always receive mainstream television coverage but can survive for decades through a dedicated underground audience. For fans of Bay Area street rap, he never really went anywhere. What Happened to Numskull? Numskull also continued making music. Like Yukmouth, he pursued projects outside Luniz and maintained his connection to the Bay Area rap scene. But his career encountered serious difficulties away from music. Numskull, whose real name is Garrick Husbands, faced legal problems that interrupted his career and contributed to the distance between him and the mainstream spotlight. That meant the two members who had once created one of the biggest rap records in America were increasingly traveling separate paths. And eventually their relationship itself became complicated. Luniz Had Their Share of Problems Like many groups, Luniz experienced disagreements over the years. Yukmouth and Numskull had periods where they weren't operating together as a functioning duo. Money, business relationships and personal differences have destroyed countless successful music groups. Luniz wasn't immune to those pressures. For fans, it was unfortunate because the chemistry heard on Operation Stackola was exactly what made them special. But the story didn't completely end there. Over the years, the two would reconnect at different points, and the Luniz name continued to carry enormous recognition because of the record they created together. Then Jordan Peele Gave “I Got 5 on It” Another Life Something remarkable happened more than two decades after the original song was released. In 2019, filmmaker Jordan Peele used “I Got 5 on It” prominently in his horror movie Us. But Peele didn't simply use the original record for nostalgia. A haunting orchestral version called the “Tethered Mix” transformed the familiar melody into something sinister. Suddenly, millions of younger listeners were hearing “I Got 5 on It.” For people who grew up during the '90s, it was a classic. For another generation, it became the creepy song from Us. That is an extraordinary second life for any piece of music. It also demonstrated just how powerful Tone Capone's original production had been. More than 20 years later, the melody could be completely reimagined and still immediately capture people's attention. More Than a One-Hit Wonder Mainstream audiences sometimes classify Luniz as a one-hit wonder. Technically, it's understandable. Nothing else they released commercially approached the enormous crossover success of “I Got 5 on It.” But reducing Luniz to that label ignores their broader importance. They came from Oakland during an important period for Bay Area rap. Operation Stackola was a successful album. Yukmouth developed a lengthy solo career. The duo worked with numerous respected artists. And their biggest record became part of hip-hop culture itself. There's a difference between having one hit and creating one timeless record. Luniz did the second. Why Has “I Got 5 on It” Survived for So Long? Think about how many rap songs were released in 1995. Most aren't regularly played today. “I Got 5 on It” survived because practically every element works. The beat is instantly recognizable. The hook is simple. The verses are memorable. The concept is easy to understand. And the song captures the sound and atmosphere of its era without feeling completely trapped in 1995. That's difficult to accomplish. The record has now survived radio format changes, CDs, Napster, iTunes, YouTube, streaming and social media. Every technological generation found another way to discover it. So, Whatever Happened to Luniz? The simplest answer is: Luniz never completely disappeared—the mainstream spotlight moved away from them. Yukmouth continued releasing music and established an extensive solo and independent career. Numskull continued his own journey while dealing with setbacks and legal issues. The duo experienced personal and business differences that prevented Luniz from maintaining the type of consistent run fans might have expected after their explosive debut. But their legacy was already secured. They created a song that became bigger than a chart position. Bigger than an album cycle. Bigger than the 1990s. More than three decades after its release, you can walk into a party and hear those opening notes and immediately know what is about to happen. People who weren't even alive when Operation Stackola was released know the record. That's rare. Luniz Will Always Have a Place in Hip-Hop History Oakland's contribution to hip-hop is enormous, and Luniz deserves to remain part of that conversation. They represented the Bay Area on a national level at a time when much of the mainstream's attention was focused on Los Angeles. They gave Northern California one of its most recognizable rap records. And even though the group didn't experience decades of mainstream chart success, they accomplished something thousands of artists spend their entire careers trying to achieve. They made a classic. Some rappers release hundreds of songs without creating one record that survives 30 years. Luniz only needed one beat and one unforgettable question: “You got five on it?” Thirty-plus years later, hip-hop still knows the answer. And that's why Luniz will never truly be forgotten.

#NOLAZINE - In the mid-2000s, a powerful and soulful voice began to rise from Milwaukee, Wisconsin, capturing the attention of R&B fans across the country. That voice belonged to Yolanda Rose “LaLa” Brown, a gifted young artist whose life and career were filled with promise. Best known for her unforgettable feature on Lyfe Jennings' hit single “S.E.X.”, LaLa seemed destined for stardom. But just as her career was beginning to blossom, tragedy struck. Born on May 20, 1986, to Maria and William Brown, LaLa grew up in a vibrant and loving household as the youngest of five siblings. Her mother, of Mexican descent, and her African American father nurtured her creative talents from a young age. By the time she was 11, LaLa was performing professionally under the stage name “Pre-mere,” showcasing her voice at weddings and local events around Milwaukee. She attended Milwaukee High School of the Arts, where she continued to hone her craft. Despite becoming a mother at just 16 years old, giving birth to her daughter Amirah Airreal Brown, LaLa never lost sight of her dream to make it big in the music industry. Her determination and passion were evident to all who knew her. In 2005, LaLa took a leap of faith and moved to Atlanta, Georgia, immersing herself in one of the country’s most dynamic music scenes. That bold move paid off when she was tapped by Lyfe Jennings to feature on his single “S.E.X.” The song, a powerful message about the consequences of unprotected sex, became a major hit—peaking at No. 3 on the Billboard Hot R&B/Hip-Hop Songs chart and No. 37 on the Billboard Hot 100 in 2006. LaLa’s voice and performance were unforgettable, earning her national recognition. She toured with Jennings, performing for large crowds and living out her dream. However, creative disagreements eventually led her to part ways with Jennings and return home to Milwaukee. Back in her hometown, LaLa wasted no time. She returned to the studio to work on her debut solo album, collaborating with her producer and boyfriend, JeTannue “Kool-Aid” Clayborn, at Loud Enuff Productionz. Songs like “I’m Feeling It,” “Rescue Me,” and “Give Them What They Want” hinted at the artistic depth she was developing, with autobiographical lyrics and a unique vocal style that stood out in a crowded R&B landscape. LaLa was on the brink of a breakout, preparing to carve her name into the music world on her own terms. On October 19, 2007, LaLa Brown and JeTannue Clayborn were tragically murdered at their recording studio in Milwaukee. Their bodies were discovered three days later, and the community was left in shock. She was only 21 years old. The murders devastated LaLa’s family, friends, and fans—and to this day, the case remains unsolved. Despite being featured on America’s Most Wanted in 2010 and TV One’s Celebrity Crime Files in 2012, no suspects have been arrested, and the circumstances around their deaths remain a mystery. LaLa’s funeral took place on October 25, 2007, at the Mason Temple Church of God in Christ, where mourners—including Lyfe Jennings—gathered to pay their respects. She was laid to rest at Graceland Cemetery in Milwaukee, remembered not just as a talented singer, but as a mother, daughter, and woman full of passion and promise. Though her time was short, LaLa’s music continues to resonate. Her voice—full of emotion, depth, and honesty—still speaks to those who listen. And while her dreams were stolen far too soon, her legacy endures. As of 2024, LaLa Brown and JeTannue Clayborn’s murder case remains open and unsolved. The families and the Milwaukee community continue to hope for closure and justice. LaLa’s story is a haunting reminder of the fragility of life and the cruelty of violence, but it’s also a celebration of an artist who, even in her brief time on Earth, made an unforgettable impact. Rest in Power, LaLa Brown (1986–2007) Gone too soon, but never forgotten. Follow her legacy: @lalabrownmusic