When Eddie Murphy’s Boomerang Was Released in 1992, It Faced a Lot of Backlash

When Eddie Murphy’s romantic comedy Boomerang hit theaters in 1992, it wasn’t just another Hollywood release — it was a bold, culture-shifting statement. But despite its now-iconic status, the film initially faced a wave of backlash from critics and audiences who didn’t quite know how to receive it.

At the time, Murphy was already one of the biggest stars in the world, known for his sharp comedic edge and larger-than-life charisma. But Boomerang was different. The film showcased a sleek, all-Black cast in a corporate setting — something rarely seen in mainstream Hollywood. It told the story of Marcus Graham, a successful ad executive and ladies’ man whose romantic games backfire when he meets his match in Robin Givens’ character, Jacqueline.

Critics didn’t know what to make of it. Some labeled it “too glamorous,” others dismissed it as “unrealistic.” Many simply weren’t used to seeing Black professionals portrayed with such elegance, wealth, and sophistication on the big screen. The film also broke gender norms — flipping the script by putting a powerful Black woman in control of the romance, a move that made traditional audiences uncomfortable.

But over time, Boomerang found its footing — and then some. It became a cult classic, praised for its progressive storytelling, fashion, music, and cultural impact. The soundtrack, featuring artists like Toni Braxton, Boyz II Men, and Babyface, became one of the most celebrated R&B soundtracks of the ‘90s.

Today, Boomerang is recognized as a trailblazing Black romantic comedy that paved the way for films like Brown Sugar, The Best Man, and Think Like a Man. What was once criticized for being “too polished” is now celebrated for showing that Black excellence and love stories belong on the big screen too.

Eddie Murphy didn’t just make a movie — he made history.