Did You Know Christopher Williams Didn’t Collect a Check for “Dreamin’” Until 3 Years Ago?

For decades, Christopher Williams’ smooth voice has been synonymous with classic late ’80s and early ’90s R&B, and few songs capture that era quite like his breakout hit “Dreamin’.” Released in 1989, the record became a staple on radio, in clubs, and on R&B playlists, helping solidify Williams as one of the standout voices of his generation. But behind the success of the song lies a surprising and lesser-known truth: Christopher Williams didn’t actually collect a check for “Dreamin’” until just three years ago.

At the height of its popularity, “Dreamin’” felt like a career-defining moment. The song charted well, gained heavy rotation on radio, and became closely tied to Williams’ image as a rising R&B star. To fans, it looked like the kind of hit that would set an artist up financially for years. In reality, however, the business side of the music industry told a very different story.

Like many artists of that era—especially young Black performers navigating major labels for the first time—Williams was locked into contracts that were far from artist-friendly. Advances, recoupment clauses, publishing arrangements, and label control often meant that even successful records didn’t immediately translate into income for the artist. While “Dreamin’” was making money, the structure of the deal ensured that most of it didn’t flow directly to the man whose voice made the song unforgettable.

For years, Williams performed the song, watched it live on through radio spins, throwback playlists, and nostalgic tributes, all while never seeing proper compensation for one of his signature records. It’s a reality that mirrors the experiences of countless artists from that time—hits on the charts, but little to show for it financially.

It wasn’t until decades later, after rights were clarified and business matters finally aligned, that Christopher Williams received a check for “Dreamin’” just three years ago. The revelation shocked many fans and served as a powerful reminder of how often artists are separated from the profits of their own work.

Today, Williams’ story is frequently cited in conversations about ownership, publishing, and artist education. It highlights why newer generations of musicians are increasingly focused on controlling their masters, understanding contracts, and protecting their long-term interests—not just chasing a hit record.

“Dreamin’” remains a timeless R&B classic, and Christopher Williams’ contribution to the genre is undeniable. But the delayed payday attached to that song stands as both a cautionary tale and a lesson in the importance of knowing the business behind the music. Sometimes, the biggest hit doesn’t pay off right away—and sometimes, it takes decades for artists to finally get what they were owed all along.